Audio Authenticity

Audio Wave Form

 

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Audio Authenticity Analysis

When the authenticity or integrity of a forensic audio recording is in question, our analysts conduct detailed forensic analysis to determine if material has been deleted, added, altered or changed in audio analog or audio digital recordings.

Spectrogram, Audio and Voice Forensic Analysis Comparison AuthenticityAll analog tape recorders have at least two heads, an erase head and a record/play head. The tape first travels past the erase head, which erases any existing recording before it reaches the record/play head. When the record mode is engaged, a magnetic impression or “signature” is left on the tape by both the erase head and the record head. As the tape travels past the record head, it erases the signature left by the erase head. Consequently only the record head signature is left. When the tape is stopped, a signature of both the erase head and the record head is left. Our forensic audio software system is able to view the graphical display waveform of the material contained on the tape. The signatures are visible on the waveform, and may be both seen and heard when played on the computer. When stop, start, pause or editing occurs a signature is permanently left on the recording. These signatures can be viewed and printed for comparison. If suspect signatures are found during analysis, the original recording device will be requested in order to conduct comparison testing for the purpose of making a conclusive determination.

Signs of Altering or Editing Audio Recordings (Types of signatures):

  • Stop/Start: Tape recorder in record mode is stopped, and then the record mode is re-engaged with no intervening tape transport function having been engaged. These are often the record events of most concern to the forensic audio expert.
  • Stop/Advance/Start: Record mode is stopped, then the tape is advanced, then record mode is engaged again.
  • Stop/Rewind/Start: Record mode is stopped, then record mode is engaged again. If the tape has been rewound to a point just prior to the position of the “stop” signature, this will effectively eliminate (or erase) the “stop” signature, leaving what appears to be only a “start” signature at this point on the tape.
  • Start/No-Stop: Record mode is engaged, and then tape runs out and reaches the leader while recording is in process. (Microcassettes have no leaders.)
  • No-Start/Stop: When record mode is engaged on the plastic leader it is not recorded, and then the record mode is disengaged later on the tape.
  • Pause: Recorder is stopped by pausing, and then re-engaged by de-pausing.
  • Voice Activated Start/Record/Stop: Voice activation circuitry is used to engage, then disengage, record mode.

Though stop, pause and start signatures are recognizable, different recorders have unique characteristics.

Digital Editing: An audio professional can delete or alter material from a tape by use of digital audio software in such a way that the average person will usually not be able to detect it. Only through analysis by a forensic expert can such determination be made.

Edit Tracker: Stutchman Forensic Lab utilizes Edit Tracker from the Center for Speech Technology in Russia. Edit Tracker is a sophisticated software package specifically engineered to detect prior digitization, breaks in phase continuity, sudden change background noise and other indicators of analog or digital editing.



Terms and Definitions for Understanding Analysis

Analog Recording: An analog recording is one that is made using conventional magnetic tape. This includes standard audiotape and microcassette recordings.

Digital Recording: A digital recording does not use magnetic tape. It records the information using configurations of 0’s and 1’s. The information that comprises the recording is stored on digital media, consisting of a computer chip, digital media card or computer sound file.

Compression: Many digital recorders use compression. In a lossy compression scheme, as the name implies, some of the original information is discarded when it is compressed. Therefore, it is impossible to produce an exact replica of the original audio signal when the audio is played. There are many different schemes of lossy compression available. These schemes generally provide varying compression ratios. The most popular of these, the MPEG, or MP3 format, is commonly employed with compression ratios of up to ten to one. All lossy compression schemes add artifacts to the compressed audio as well as decreased audio clarity. Artifacts are small imperfections created by the loss of the actual audio data.

WAV File Format: Standard digital audio file format for storing waveform data; often used to save CD-quality audio. WAV (WAVE) files are similar to .AIF files used by Apple computers, but they use a more complex format and are more common on Windows-based systems.

Waveform display: When a recording is fed onto computer using forensic audio software or audio editing software, the recording is viewed in terms of a graphical display called the waveform. The waveform display reflects graphically the relationship between the time and amplitude of recorded sounds and allows the identification and comparison of record events on evidence and test recordings.

Magnetic Signature: When a record event occurs on an analog recording a magnetic impression, known as a signature, is permanently placed on the tape recording by the record head and the erase head. These signatures have generic similarities and individual characteristics. A particular tape recorder can be identified or eliminated by analysis of the magnetic signatures. These signatures identify when a recorder was started, stopped, re-started or paused.

Record Event: A record event is an occurrence that initiates, interrupts or stops a recording process.

Anomaly: An abnormality in a recording, which is of an undetermined origin.

Discontinuity: An event that interrupts the continuous flow of recording. It can occur either in the original recording, by stopping or pausing the recording, or by post recording editing.

Edit: Editing is a process of altering the content of a recording. There are a variety of methods by which a recording can be edited. Edits can be done during the recording process or after the recording is completed.

Methods Used to Detect Alterations of Audio Tapes/Recordings

Physical Inspection: Physical inspection was done to determine the condition of the tape and to inspect for any damage that would affect how it functions.

Critical Listening: Critical listening is an aural evaluation of the audio recording, which provides considerable direction to the examiner in locating areas requiring specific instrumental or physical inspection.

Waveform Analysis: When a recording is fed onto computer using forensic audio software or audio editing software, the recording is viewed in terms of a graphical display called the waveform. The waveform display reflects graphically the relationship between the time and amplitude of recorded sounds and allows the identification and comparison of record events on evidence and test tapes. When a record event occurs such as a start, stop, stop/re-start or pause on a magnetic analog tape, a distinctive mark or signature is placed on the tape. When waveform analysis is conducted, these signatures can be seen and in most cases, heard.

Spectrographic Analysis: A sound spectrograph displays the recorded material in time, frequency, and amplitude. Its distinctive display is used to further study the effects of record events, etc. Any gap in the audio signal as well as signatures can be examined on the spectrograph.

Magnetic Development: When the tape recorder heads touch or leave the magnetic recording tape, they leave a signature like a fingerprint. That signature is indigenous to the tape recorder. The process of magnetic development allows for these signatures to be examined under microscopic magnification by applying a non-destructive Freon-based ionized-particle solution.

Edit Tracker: As indicated above, Edit Tracker is a sophisticated software package specifically engineered to detect prior digitization, breaks in phase continuity, sudden change background noise and other indicators of analog or digital editing.
 

As experienced expert analysts, our highly trained and qualified forensics team uses top of the line hardware and software technology to carefully handle and thoroughly analyze your evidence audio, video, and photographic media. We can isolate, separate, enhance, and authenticate all relevant aspects of audio and video recordings in order to produce expert evidence backed by many years of master experience. As an expert witness in the courtroom, our testimony from the witness stand will contain provable facts and relevant demonstrative evidence that can often make or break a case.

Let us serve you. Contact Us at (800) 799-0828

Relevant areas of Audio Authenticity Analysis include Audio Forensics, Audio Enhancement, Voice Identification, Audio Video, Voice Comparison, Voice ID, Audio Authentication and Authenticity Analysis, Audio Expert, Audio Analysis for Timing and Sequence of Events, Expert Witness, Tape Analysis, Audio Acoustical Analysis and Sound Measurement, Forensic Tape Analysis, Audio, Forensic Transcription Services, Voice Recognition, Gun Shots and Gun Shot Analysis.

We provide services nationwide across the United States of America in cities such as Chicago, Los Angeles, San Francisco, Anchorage, Seattle, San Diego, Portland, Honolulu, New York, Denver, Tampa, and many others.


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